![]() But that's not the only reason it's so tough to get a group of actress friends to collaborate on a film together. (Faris acknowledges that the article caused some controversy with New Regency, the studio behind What's Your Number?,but declines to elaborate.) "Hollywood studio executives don't recognize the value of female performers as much as male performers," she adds. That small but explosive truth was the thruline of a provocative New Yorker profile of Faris by Tad Friend that ran last April, in which studio execs and directors confirmed just how deeply sexism runs in the business. That's because women lack that level of clout. ![]() I had a running joke with my friend: 'I hope somebody roofies me tonight!' I didn't care what people thought." "I was like, 'Fuck it, I've got nothing to lose, nobody to support.' I wore the same Garfield shirt and jeans for three weeks. and the riches of burgeoning celebrity, she splurged on a boob job and partied hard. (As part of their divorce settlement, she paid $900,000 to Indra.) Enjoying her first solo apartment in L.A. "The divide became too great." She filed for divorce in 2007. "That kind of destroyed my marriage," she confesses. But while her career took off, his stalled. "You have to be willing to accept the idea that people may think you're stupid," she says, pulling the brim of her Yankees baseball cap down low. Faris owned these roles, too, small though they were. Occasionally, she stretches beyond type, as in Lost in Translation and Brokeback Mountain, both of which had her playing parodies of herself: charmingly clueless patsies, the butt of the director's jokes. In short order, she became a go-to girl for casting agents in search of winsome dingbats who are likable, fuckable, and generally unthreatening. Raised outside Seattle, she was still living with her parents when Keenen Ivory Wayans cast her in Scary Movie when she was 22 (impressed, he has said, with her sexual naïveté). She's never waited tables, has never done summer stock. Faris has never had to endure the clichéd dues-paying typical of Hollywood hopefuls.
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